Paper and online publications
2007 ODOO/ CURRENT: An exhibition of work 12 UK based artists, an exhibition catalogue, main essay by Jill Morgan, Leeds Metropolitan University publication (ISBN 978-0955501715)
2009 Blog since June 2009 @ www.tsendpurevtsegmid.com.
2010 A Change of Art by Rod McPhee, an article about Art in Unusual Spaces scheme which featured Mama’s Garden: Words of Love (2010) exhibition, published in the Yorkshire Evening Post (YEP). Published date: 9 April 2010.
2011 Wilenius, A. ed. (2011) Bare house: Pori-Rotterdam-Ulaanbaatar/Нүцгэн Байшин Пори-Роттердам-Улаанбаатар. Translated from English to Mongolian by T. Tsegmid. Pori, Pori Art Museum. (ISBN: 978-952-5648-24-9)
2012 Tsegmid, T. (2012) Mama and Papa in the UK (2011), photo book.Veldhoven, blurb.com
Tsegmid, T. (2012) ART PROJECTS & ARTWORKS. Stranger’s Identity Explored through Contemporary Art Practice: In-Between Mongolia and the UK. Veldhoven, blurb.com.
Conference papers, presentations and seminar
2006 Presentation. 24 February, Space – Location / Mapping – Networks, Research symposium, The Leeds School of Contemporary Art & Graphic Design, Leeds Metropolitan University, Leeds, UK.
2007 Presentation. June, Do/ Be/ Do/Do/ Be, Research Symposium, The Leeds School of Contemporary Art & Graphic Design, Leeds Metropolitan University, Leeds, UK.
2008 Conference paper. 18-20 July, Cultures in Transit, Research Conference, Liverpool Hope University, Liverpool, UK.
Conference paper. 2 July, Communication and Participation, Leeds Met Annual Postgraduate Research Student Conference, Leeds Metropolitan University, Leeds, UK.
2009 Presentation. 27 January, Research Student Presentation, The Leeds School of Contemporary Art & Graphic Design, Leeds Metropolitan University, Leeds, UK.
2010 Conference paper. 22 June, Place, Space and Identity, Leeds Met Annual Postgraduate Research Student Conference 2010,Leeds Metropolitan University, Leeds, UK.
2012 Seminar. 9 Jan, Contemporary Art Practice and Its Current Issues, Institute of Fine Art (IFA), University of Art and Culture of Mongolia, Ulaanbaatar, Mongolia. The seminar was organised in conjunction with the Department of Traditional Painting and attended by current undergraduate, postgraduate students, graduates and lecturers at the University.
